Mad Quickies
Mad Quickies 6.13
- Father’s Day is around the corner: 20 gifts that don’t suck, especially if your dad reminds you of Bill Nye.
- Is your dad a DIY guy? Here are ten gifts he would dig.
- Rhetological fallacies, including both the infographic and this awesome matchup with Cardinal O’Brien’s speech on same-sex marriage.
- Nick Cave {no, not that Nick Cave} is a Midwestern trans-artist who is a Master of Disguise. {via Anne S.}
- History of fission at Fresh Photons. {via Ryan}
- Museum of Endangered Sounds by Brendan Chilcutt.
- A Feast of Ice and Fire, the official Game of Thrones cookbook, is now available. {via Laura S.}
- Turns out Funnyjunk’s not so funny. Matt, don’t let those turkeys get you down! {via Steve D}
- Gorgeous geometrics! Simon C Page’s iPad HD retina wallpaper
Jump for lots more!
- Who is Henry Codax and other tales of secret art.
- After an epic run on NPR, Tom and Ray retire.
- Who has the most water: Earth or Jupiter’s moon, Europa?
- Here’s a treat! Language quickies at Sentence First. {via @stancarey}
- On freelancing: Neil Gaiman’s Venn Diagram. {via Maria}
- Philip Glass turns 75. Einstein on the Beach, in a new production, is presented outside Manhattan for the first time. {via Ryan}
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Prelude to Einstein on the Fritz
Professor Schickele’s fond send-up, a classic.
http://youtu.be/dev1Ff2IcGI
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Featured image is Nick Cave’s Soundsuit, 2009, human hair.
Image courtesy of Jack Shainman Gallery.
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I love Philip Glass and I love PDQ Bach. How have I never heard Einstein on the Fritz before? So hilarious! Can anyone tell what word/phrase the bass is singing parodying “Koyaanisqatsi”?
Glad you enjoyed! I believe the phrase is “Coy hotsy totsy”.
I got to see a live performance of Einstein on the Fritz lo these many years back, with Prof. Schickele on the piano.
It may be worth pointing out that the harmonic basis for “Einstein on the Fritz” is none other than that workhorse of beginning piano students, J. S. Bach’s Prelude No. 1 in C (from the Well-Tempered Klavier). It’s a very repetitive piece to begin with, so Schickele just repeats every measure 6 times to give it that Glassy sound!
(Though I hasten to add that J. S. Bach’s piece is hardly minimalism, at least not as Glass et al practice it. Glass focuses more on harmonic minimalism, and the Bach prelude, while rhythmically minimal, undergoes constant harmonic movement.)